Patricia Raybon joins us for a chat about under-appreciated novels, taking one day at a time, special readers, and her latest release Double the Lies. Don’t forget to enter to win a copy of this great book!
For today’s Pinch of the Past, we’re looking at the defense of a castle! As decades of siege warfare passed, architects and designers learned to use even the smallest things to their advantage to make a castle as defensible as possible… (Full post here.)
Today’s Bookworm Review is bought to you by Christie K. “All the Lost Places has themes of forgiveness and grace woven throughout with very mild violence during the climatic scene. Both stories have sweet romances.” (Full review here.)
For today’s Pinch of the Past, I am dragging you all along to take a peek at one of my absolute favorite topics–the defense of a castle! Our listeners might be thankful KyLee’s here to rein me in if I get carried away…
There is nothing new under the sun. I don’t know how many times I’ve heard my dad say that over the years. I guess I should not have been surprised then when I ran across a temperance association that educated children(!) about the dangers of drugs and alcohol in the 1800s. Like our modern-day D.A.R.E. (Drug Abuse Resistance Education.)
It All Started with an Alcoholic Sunday School Teacher
Newly returned from finishing school, Lady Juliette Thorndike is ready to debut in London society. Due to her years away, she hasn’t spent much time with her parents, and sees them only as the flighty, dilettante couple the other nobles love. But when they disappear, she discovers she never really knew them at all. They’ve been living double lives as government spies—and they’re only the latest in a long history of espionage that is the family’s legacy.
Years ago, he shattered her heart. Now she must trust him with her life.
As the only girl in her family, and with four older brothers, Ivy McQuaid can rope and ride with the roughest of ranchers. She’s ready to have what she’s always longed for–a home of her own. She’s set her heart on a parcel of land south of Fairplay and is saving for it with her winnings from the cowhand competitions she sneaks into–but her dream is put in jeopardy when the man she once loved reappears in her life.
Kimberley Woodhouse joins us for a chat about researching the Grand Canyon, 1 Million Miles with Kim, and her latest novel A Gem of Truth. Don’t forget to enter to win a copy of this great book!
Today’sPinch of the Past is part 2 of the 1900 Paris Exposition. In this Pinch of the Past we will be wrapping up the Paris Exposition Series with a look at what critics of the day had to say about the expositions and some numbers regarding cost and attendance. (Full post here.)
Today’s Bookworm Review is bought to you by Christie. The Number of Loveis a fantastic read! Rosanna M. White’s characters are unique and stick with the reader long after the last page. Looking forward to the next book in the series! (Full review here.)
You can connect with Christie on Instagram @writercbk219.
Three years into the Great War, England’s greatest asset is their intelligence network—field agents risking their lives to gather information, and codebreakers able to crack every German telegram. Margot De Wilde thrives in the environment of the secretive Room 40, where she spends her days deciphering intercepted messages. But when her world is turned upside down by an unexpected loss, for the first time in her life numbers aren’t enough.
In this Pinch of the Past we will be wrapping up the Paris Exposition Series with a look at what critics of the day had to say about the expositions and some numbers regarding cost and attendance.
Criticisms: Because it can’t all be moonlight and roses.
The Paris Exposition was said to be overly ambitious and costly undertaking, and not all critics believed this was best for the country at the time.
One such critic as Melchior de Vogué, a supporter of the 1889 Eiffel Tower. He criticized the architecture used throughout the fair stating that:
In 1889, iron bravely offered itself to us naked and unencumbered, asking us to judge its architectural potential. Since that time, it seems as though iron has experienced the shame of the first man after its original sin, and feels the necessity of covering its nudity. Today, iron covers itself with plaster and staff. It hides itself in casings of mortar and cement.
Some complained the buildings were to old fashioned for their new age exhibits or not sophisticated enough.
La Porte Monumentale and La Parisienne
The Porte Monumentale received heavy criticisms. To give you some vivid imagery of what the gateway looked like I pulled this quote from Architectuul.com.
“The gateway was consisted of a dome and three arches and as a whole adorned with Byzantine motifs and Persian ceramic ornamentation and colored glass cabochons. The gate was covered with 3200 blue and yellow small electronic lights.”
While this sounds beautiful it was said to be “lacking in taste.” Some actually referred to the gateway as La Salamanda because it so resembled the stocky and intricately designed salamander-stoves of the time.
Antique Cast Iron Wood Stove “La Salamandre”
Additionally, at the top of this gateway was a fifteen foot statue of a lady (La Parisienne) said to be the spirit of Paris; however, some found her modernized posture and dress offensive. She was loosely referred to as “the triumph of prostitution.”
Admission charges and cost
Bon for the Exposition Universelle de 1900.
One admission ticket costed one Franc. At the time, the average hourly wage for Paris workers was between 40 and 50 centimes. According to Chanvrerie.net, 100 centimes = franc. So, you would have to save up to two day’s wages for one ticket to the fair.
Additional admission fees for popular attractions were usually between 50 centimes.
Meals averaged at about 2.5 Francs
The Paris Exposition budgeted 100-million French Francs (20 million from the French State, 20 million from the City of Paris, and 60 million from the expected admissions, backed by French banks and financial institutions.)
The official final cost = 119-million Francs.
Admissions fees collected = 126 million Francs.
Unplanned expenses = 22 million Francs for the French State, 6 million Francs for the City of Paris
Total cost = 147-million Francs, or a deficit of 21 million Francs.
This however offset the cost to a degree, the long term additions to Paris’ infrastructure, including new buildings and bridges, additions to the transport system, two new train stations, and the new facade and enlargement and redecoration of theGare de Lyon and other stations.
Other data
Exhibitors = 83,000+
Prizes of various degrees awarded = 42,790
127 congresses had attracted over 80,000 participants
The Exposition Eniverselle of 1900 was the last of its kind hosted in France. There were three following fairs in France, however these were not truly World Fairs because their focuses were on decorative arts and colonial possessions.
So, there you have it. A little taste of the World’s Fair in Paris. As always, I hope you’ve enjoyed this Pinch of the Past.
Jane Kirkpatrick joins us for a chat about homesteading, historical research and her latest novel Beneath the Bending Skies. Don’t forget to enter to win a copy of this great book!
Today’sPinch of the Past is part 2 of the 1900 Paris Exposition. In this Pinch of the Past we will be looking at the different kinds of exhibits featured at the fair, including one very special exhibit from the United States and a truly unique exhibit that ended in tragedy. (Full post here.)
